In November 2016 Andrea Gallagher released her first published book, Superstar Grandmas, and sent the second, Mega-rad Grandads, to print (due for release in early 2017).

Queensland Writer’s Life – Kylie Kaden

WQ is proud to present a series of interviews with writers from across Queensland. We have approached novelists, playwrights, freelancers, memoirists, short fiction writers, songwriters, game writers, poets, debuts, old hats, traditionally published authors and self-publishers, and asked each of them the same eleven questions. Read individually, each writer’s answers reveals their unique approach to their more

New Tools, Timeless Tales

Simon Groth

For the last few months I’ve been working with a small tech start-up company with big ideas. Called oolipo—a nod to the oulipo movement that pioneered experimental constrained writing techniques—this company is taking the nineteenth century idea of serialised storytelling and bringing it to a contemporary audience via that most twenty-first century device, the smartphone. more

Queensland Writer’s Life – Nick Earls

WQ is proud to present a series of interviews with writers from across Queensland. We have approached novelists, playwrights, freelancers, memoirists, short fiction writers, songwriters, game writers, poets, debuts, old hats, traditionally published authors and self-publishers, and asked each of them the same eleven questions. Read individually, each writer’s answers reveals their unique approach to their more

Australian short story trends

Craig Bolland

It’s hard to pin down an Australian tradition, stylistic or conceptual, that reliably runs through our short stories. Lawson may have had an early influence, but for as long as Australians have been writing, our short stories have poked at the edges of convention. It’s fair to say that Australian short stories, notably those from more

Effective Dialogue: It’s Speech, Jim, But Not as We Know It!

Angela Slatter

An essential component of any story, long or short, is the dialogue. Dialogue is very important because it’s the chance for our characters to speak. They speak to each other, to the reader, to their deities, enemies, loved ones, friends, the strangers who wander across the landscape of the tale and leave important details behind more

In the back door

Sandra Watkins

Going it alone without a publisher, agent or editor is the way a person who doesn’t know anything about the publishing industry finds herself travelling. When an idea forms during one of those 2am wide-awakes, it might never occur to someone who finds the idea interesting enough to write down that they (a) might be more